{countdown to the royal wedding: tiaras}

. . . an utter and hopeless romantic, there is, naturally, much breathless anticipation for the royal wedding -- after all -- what could possibly be more romantic than sweeping trains, yards and yards of silk taffeta, balcony kisses, true love and tiaras?



. . . to mark this historical occasion, kate middleton will be presented with her very own tiara, from the royal collection, as was the case with diana, or purchased from garrard, the royal jewellers, as was the case for the duchess of york . . . and so, a fascinating glimpse . . .



the beautiful swirls & scrolls of the spencer tiara



the spencer tiara
although she received the cambridge lovers knot tiara {see below} for her wedding, princess diana famously wore the spencer tiara as her something borrowed on her wedding day in 1981; made of gold in a repeating scroll design the family tiara is entirely set with diamonds; thought to be a family heirloom from the eighteenth century, the tiara is actually a composite of several elements: the central element was a gift from lady sarah spencer to cynthia, viscountess althorpe as a wedding present in 1919

it was later remounted and four other elements were made to match it in 1937; only the two elements at the end are old and said to have come from a tiara owned by francis, viscountess montagu and left to lady sarah spencer in 1875


after it was worn by lady diana spencer when she married the prince of wales in 1981, the spencer tiara was subsequently worn by victoria lockwood when she married the 9th earl in 1989 (the earl spencer); the tiara currently remains with the spencer family


princess diana attends a state reception in australia, wearing a suite of sapphire and diamond jewels presented by the crown prince of saudi arabia, and the spencer family tiara; (photography by tim graham)

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the cambridge lovers knot tiara
made in 1911 for queen mary {the queen consort & wife of george v}, from the diamonds and pearls she held in her collection, the cambridge lovers knot tiara was a copy of one owned by her grandmother, princess augusta of hesse; queen mary left it to her granddaughter, queen elizabeth II, in her will in 1953; the queen wore it a few times in the fifties, then gave the tiara to princess diana as a wedding present in 1981; although the princess did not wear it to her wedding, she debuted it during the opening of parliament that november


above: diana, princess of wales, wearing the cambridge lovers knot in new zealand, april 1983




above: the diamond & pearl tiara perfectly paired with a pearl-encrusted white gown and matching jacket by catherine walker




above: camilla, duchess of cornwall {formerly camilla parker bowles}, the queen, and diana, wearing the cambridge lovers knot tiara

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helen molesworth, a christie's specialist, holds the antique poltimore tiara from the princess margaret collection before auction in hong kong, friday may 26, 2006; (photography by kin cheung/ap)

the royal wedding of princess margaret and anthony armstrong-jones, lord snowdon, may 6, 1960



the poltimore tiara
"Acquired on the advice of Patrick Plunkett, Deputy Master of the Household, before the official announcement of her engagement to Mr Antony Armstrong-Jones, the tiara had originally been created by Garrard in the 1870s for Florence, Lady Poltimore, the wife of the second Baron Poltimore.

The Princess wore the tiara in its form as a stunning diamond fringe necklace and scroll brooches on several occasions prior to her marriage; yet it was arriving at Westminster Abbey by horse-drawn carriage on 6th May 1960, with the Poltimore Tiara holding her veil in place as a circlet of diamonds around her hair, that Princess Margaret fulfilled an image that was the epitome of the fairytale princess."

~ helen molesworth, christie's

. . . the princess, who died in february of 2002, wore it for her wedding to anthony armstrong-jones, lord snowdon; the children of the late princess, viscount linley and lady sarah chatto, sold the tiara and other items at an auction at christie's {to offset the pinch of inheritance taxes} in 2006 for $1,704,576, much more than its estimate of $276,000 - $368,000



like many of the tiaras in the royal family, the poltimore tiara was seen in several alternative forms such as a diamond fringe necklace and as brooches; the tiara can be converted into a necklace and eleven brooches, and was offered with a screwdriver and the brooch fittings required to make the switch

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the nizam of hyderabad tiara
a flourish of delicate english roses, the nizam of hyderabad tiara was crafted by cartier and formed part of a parure that was given to queen elizabeth II on the occasion of her wedding in 1947 by the nizam of hyderabad; according to leslie feld's the jewels of queen elizabeth II, this tiara was dismantled and the diamonds used for the creation of the queen's burmese ruby tiara in 1973; however, the three large roses that can be used as brooches have been seen in recent years, creating much speculation and mystery surrounding the piece . . .

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the grand duchess vladimir tiara
laden with round brilliant-cut diamonds, the grand duchess vladimir tiara was inherited by the queen, from her grandmother, queen Mary, after her death in 1953; the tiara gets its name from grand duchess maria pavlovna of russia, wife of the grand duke vladimir alexandrovich, the third son of czar alexander II, and the brother of czar alexander III of russia

following the 1917 bolshevik revolution of russia, the grand duchess vladimir escaped to venice with her family, leaving her renown jewelry collection, including the tiara, behind, hidden in a vault in the vladimir palace in st. petersburg; a member of britain's secret intelligence service, and a friend of the family, helped to recover the jewels; the duchess died soon after, in august 1920; the vladimir tiara was purchased by queen mary in 1921, from princess nicolas of freece, the daughter of duchess maria vladimir



the original setting of the tiara at the time of its purchase in 1921, by queen mary, was with swinging pearl drops or pendants with small diamond set mounts, positioned inside each circle . . .


above: the queen, with prince phillip, wearing the vladimir tiara with emerald drops & inset: camilla, duchess of cornwallwears the tiara with the matching emerald suite, the cambridge and delhi durbar parure

. . . but queen mary, who was renowned for her collection of royal jewels, and had an intimate knowledge of jewelry and their designing, modified the vladimir tiara to make provision for the pearl drops to be interchanged with emerald drops, requesting the court jewelers garrard & co. to cut and polish fifteen of her remaining cambridge emeralds as drop shaped emeralds; the tiara was especially striking when worn with the matching emerald suite, the cambridge and delhi durbar parure

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above: princess anne borrowed this elegant tiara from the queen for a tour of australia & new zealand in 1970

the scroll diamond tiara
also known as the queen mother's scroll tiara, it was one of a handful of tiaras that the queen mother wore after she was married but before she ascended the throne in 1937; she then passed the scroll diamond tiara to the queen, who has never worn it publicly, but over the years, has lent to both princess margaret and princess anne

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girls of great britain and ireland tiara
a wedding present for princess may of teck (the future queen mary) from the ‘girls of great britain and ireland’, the diamond tiara was purchased from garrard with money raised by a committee chaired by lady eve greville; in 1947, mary gave the diamond and silver tiara to her granddaughter, the future queen elizabeth II, as a wedding present



a portrait of the queen wearing the girls of great britain and ireland tiara, designed by arnold machin, has appeared on many commonwealth currencies, including those of britain, australia, jamaica, canada and ceylon

{p.s.} it has been thought that kate may wear the the queen mother's george III tiara, (also known as the russian fringe tiara), a circlet incorporating brilliant diamonds that were formerly owned by george III; originally commissioned in 1830, the tiara has since been worn by many queens consort; when queen elizabeth {the queen mother}, consort of george VI, first wore the tiara, sir henry "chips" channon called it 'an ugly spiked tiara'; queen elizabeth later loaned it to her daughter, princess elizabeth {the future elizabeth II}, as "something borrowed" for her wedding in 1947 to to prince philip in westminster abbey; the queen mother later also loaned it to her granddaughter, princess anne for her marriage to captain mark phillips in 1973

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{prince william and kate middleton photographed mark cuthbert / press association; the spencer tiara history via marilyn's royal blog; all other sources: one, two, three, four, five, six, seven, eight, nine, ten, eleven, twelve, thirteen, fourteen}

{laced with style}

{image: "newcastle" by wildquaver8 on flickr}

While I can appreciate the sheer prettiness and femininity of lace, I never imagined it coming back into fashion . . .

The history of lace dates as far back as the fifteenth century, when Charles the Fifth required lace-making to be taught in the schools and convents of the Belgian provinces. At this time, lace was solely based in fashion, mainly to replace embroidery as a means of transforming dresses to follow differing styles of fashion, since, unlike embroidery, lace could be removed from one material and placed on another.

Many styles and techniques of lacemaking have developed since, and almost all of them in these very Belgian provinces, making it known as the birthplace of lace.

The use of lacy patterns in design is not new (Marcel Wanders' 1996 Knotted Chair immediately comes to mind, or Thomas Paul's Gothic Dinner Plate Set). Below are a few examples of modern interpretations of this very old and very beautiful artform.

{A new use for the lace doily by Paul Lowe, via Emma's beautiful blog}


{A tear-sheet of an old Chloe advert, most likely from British Vogue}

{Lacy lamp at Glamchic}

{Window in the Taj Lake Palace, Udaipur by Shilpi Singh}

{Pretty, lacy accessories from a tear sheet from (most likely) Gotham}

{Marcel Wanders Studio Crochet Chair, hand-crocheted and coated with a fibre resin--via Maison Lunatique}

{The amazing Gothic Excavator sculpture on the Belgian coast by the often controversial, always thought-provoking Belgian conceptual artist Wim Delvoye}


{Renovated terrace house in Melbourne via All Things Bright and Beautiful}


{Lacy architectural features via Desire to Inspire}

Sand-blasted white carrera marble console via Maison Lunatique}

{Windowsill in Lanark, Scotland, taken this summer}

{marvelous marble}

There has been a recent resurgence of marble in design, leading style forecasters to herald its comeback, but certain it never went away . . .

Marble is a metamorphic rock form composed of coarse crystals from limestone or dolostone rocks. (If you remember from your geology classes, metamorphic rocks are rocks that have changed from one form to another by the high pressure and temperature environment of the Earth). This metamorphic process causes a complete recrystallization of the original rock into an interlocking mosaic of calcite, aragonite and/or dolomite crystals.

There are many, many types of marble, from Bianco Carrara to Calacatta Imperiale to Fior Di Pesco Carnico, only to name a few. Some types of marble are named after the locations of their quarries, for example, Black Marble from Kilkenny, Ireland; Boticena and Onyx(Green) from Pakistan; Carrara and Luni from Italy; Macael from Spain; Royal White from China, and Makrana from India.

{marble coffee table in a New York loft}

The word 'marble' comes from the Greek marmaros, meaning "glittering" or "shining stone". When polished perfectly, marble gives a soft glitter that seems to come from the inside, and when rays of light penetrate it, marble comes to life and gives off pink, yellow, grey, blue, greenish, reddish, brown, and black tones, as well as various other beautiful colour combinations.

{a stunning marble facade elevates the look of this office designed by 3rd uncle}

The characteristic swirls and veins of many colored types of marble are usually caused by mineral impurities such as clay, silt, sand, iron oxides, or chert which were originally present as grains or layers in the limestone. Green coloration is often due to limestone with high magnesium content or dolostone with silica impurities which have been mobilized and recrystallized by the intense pressure and heat of metamorphism. A recent post, {luxury is in the details}, gives an example of green colouration in marble and {beautiful bathrooms} showcases some beautiful marble bathroom fixtures.

{ring coffee table by autoban}

The temperatures and pressures necessary to form marble usually destroy any fossils and sedimentary textures present in the original rock. However, if you look closely at certain varieties such as Verona, Fossile Marrone, Jura or Rosso marble, you may be able to glimpse the shapes of ancient shellfish, corals, petrified algae, and shells. Some types of marble with quartz and pyrite 'veins' glitter with crystal and golden tinges.

{marble fireplace in a hotel lobby}

Pure white marble (the kind favoured by Michelangelo) is composed of the mineral calcite, and is the result of the metamorphism of very pure limestones. White marble has always been popular for sculpture and building construction because of its beauty and relative softness. This softness, however, also makes it vulnerable to weathering, as the calcium carbonate content in marble is easily damaged by acid rain.

White marbles, like Carrara in Italy, Royal White and Bejing White in China, have been the number one choice for sculpture since classical times. This preference has to do with the softness and relative isotropy and homogeneity, as well as a relative resistance to shattering. Additionally, the low index of refraction of calcite allows light to penetrate into the stone before being scattered out, giving a "waxy" or life-like look to marble sculptures of the human body. The Venus de Milo, Parthenon, Zeus of Olympus temple, columns of Artemis temple in Ephesus,(one of the Seven Wonders of the World), were all made of soft white marble.

Whether it's Carrara or Bianco Perlino or Rosso, a status symbol, a floor, or a fountain, there's no denying the luxury and glamour of marble, and its timelessness by all of the history that it represents.

{the venus de milo}

{images: Elle Decoration, 3rd Uncle, Autoban, Livingetc}